Süßkind von Trimberg (or Susskind of Trimberg) is given as the author of six poems in the Codex Manesse. The poems date to the second half of the 13th century, and if their purported author is historical, he would be the first documented Jewish poet of the German language.
The town of Trimberg is today part of the Elfershausen municipality, in Lower Franconia, Bavaria, at the time within the Bishopric of Würzburg.
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There are no other records about his life, and it is uncertain whether Susskind is a historical poet, or whether the poems recorded under his name are from a single author. Alternatively, the Jewish name Süßkind and the corresponding portrait may have been motivated by a motive in (V,2), where the poet proclaims his intention to leave the courtly sphere and live humbly "in the manner of old Jews".
He is identified as a Jew the Codex Manesse where his works are preserved, and depicted as wearing a pointed Judenhut (the headgear which Jews were required to wear by law in the later German Middle Ages).
The portrait shows him before a bishop or a bishop's representative with a bishop's staff, but without his mitre, seated on a throne, under a flag which is variously said to be the flag of the town of Constance (whose bishop was closely associated with the codex), of Fulda (near Frankfurt/Main) or of the archbishop of Cologne.
While most of the content of Codex Manesse is Minnesang, Susskind was not a minnesinger, his poems belonging to the more general category of medieval Spruchdichtung.
He sang of the worth of the virtuous wife (III,2), and of the hunger and misery of his children (V,1). There are possible allusions to Hebrew prayers and benedictions in his texts, as in I,3, where his comparison of the briefness of man's days and his salvation through God correspond to the 33rd benediction said on the eve of the Jewish New Year. He stated that nobility – and this at the high time of chivalry, in a collection where every singer of remotely noble descent is portrayed with a coat of arms – is not dependent on birth, but on one’s deeds: “Nobility is not dependent on a piece of paper / Who acts nobly, him will I account noble.”
In one of the last poems in the Codex (V,2) he bitterly complains that he fooled himself with his attempts to be an artist ("Ich var ûf der tôren vart / mit mîner künste zwâre"), that he is now determined to let his grey beard grow long and henceforth go his way humbly as a Jew, wrapped in a long coat, his hat pulled deep in his face, and won't sing any chivalrous ("hovelîchen") song, since the noblemen ("herren") won't grant him any further support.
The most characteristic of his poems is the Fable of the Wolf", where a wolf complains about his bad reputation, and argues that he is innocent because he is forced to steal geese to survive, while the false man does much greater damage.
As the only Jewish poet of the Codex Manesse, Susskind was the subject of particular attention in scholarship since the 18th century. His historicity was controversially debated, his poems were translated into modern German and into Polish. Gerhardt (1997) is a summary of the history of the modern reception of the Susskind poems.